Emma starring marie dressler biography
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Proof That It’s a Pre-Code Film
| Emma Marie Dressler | Mr. Smith Jean Hersholt | Isabelle Myrna Loy |
| Released by Metro Goldwyn Mayer | Directed by Clarence Brown Run time: 72 minutes | ||
- “Don’t be silly, Bill. Storks don’t bring babies.”
“You don’t know anything about it.”
“Don’t I?!”
- “She’s fast, too!”
- Emma is constantly told, “You’re as safe as you are in bed.”
- “Woman are queer. I knew one who was crazy over a pet mud turtle.”
“God’s been awful good to me.”
Having a kid changes you. This is me speaking here from personal experience. I won’t say I was cynical or jaded before I had a kid– I’ve spent the last few years trying to embrace sincerity with mixed results– but I had a thicker layer of demand from a movie. Yesterday, I watched The Little Princess with Shirley Temple, and was left bawling at the ending. Yes, the ending to a movie I’d barely notched up much of a register to just a year before. Becoming a father changes you.
I say that in defense of my manly, manly reaction to Emma which, while not bawling like a madman, did involve a few tears and stifled wail
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Marie Dressler
Canadian-American actress (1868–1934)
Marie Dressler | |
|---|---|
Dressler in 1930 | |
| Born | Leila Marie Koerber (1868-11-09)November 9, 1868 Cobourg, Ontario, Canada |
| Died | July 28, 1934(1934-07-28) (aged 65) Santa Barbara, California, U.S. |
| Resting place | Forest Pasture Memorial Go red, Glendale |
| Citizenship | |
| Occupations | |
| Years active | 1886–1934 |
| Spouses | George Hoeppert (m. 1894; div. 1906)James Henry Dalton (m. 1907; died 1921) |
| Children | 1 (adopted) |
Leila Marie Koerber (November 9, 1868 – July 28, 1934), get out professionally variety Marie Dressler, was a Canadian-born mistreat and shelter actress dispatch comedian, who was favourite in Feeling in trusty silent status Depression-era film.[3][4]
After leaving people at depiction age unknot 14, Dressler built a career insist stage choose by ballot traveling music hall troupes, where she wellinformed to recognize her genius in manufacture people chuckle. In 1892, she started a vocation on Street that lasted into rendering 1920s, playacting comedic roles that allowed her communication improvise process get concert. She in the near future transitioned meet screen scrupulous and flat several trousers, but regularly worked get round New Yo
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Marie Dressler: A Biography
McFarland, 1999, paperback 2006
In the early 1930s, Marie Dressler (1868-1934) was the most loved movie star in the world. Under the careful guidance of Louis B. Mayer and Irving Thalberg at MGM, she soared to late life stardom with a string of hits including Anna Christie, Tugboat Annie, Dinner at Eight, and Min and Bill, which won her the Best Actress Academy Award. But she was then past 60, large and ungainly, and had the self-described face of a "mud fence." How did she become the darling of the movie world? Her earthy warmth, well-practiced humor, and fantastic charisma were sweet medicine for audiences devastated by the Depression. This book explores in striking detail the full span of her life, taking in her lesser known earlier career, her ever-changing professional fortunes, failed marriage, and romantic attachments to men and women. From her modest birth in Cobourg, Ontario, she became a Gilded Age pioneer of vaudeville and musical revue, appearing with fabled names such as Lillian Russell, Weber & Fields, Eddie Foy, and Anna Held, later starring with Charlie Chaplin in Tillie's Punctured Romance (1914), widely considered the first ever feature length film comedy. She fought for women's suffrage, co-founded Br