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    As the heroine of HBO's iconic series Sex and the City, Carrie Bradshaw’s love life is far from dull.

    The something Manhattanite’s weekly column chronicled her adventures in the search for romance, imparting plenty of life lessons along the way. “I’m looking for love. Real love,” Sarah Jessica Parker proclaimed in the role.

    But, she didn’t find it easily — the storylines of most of Carrie's boyfriends didn’t extend beyond a single episode. After all, as the fictional writer famously said, “Some women aren’t meant to be tamed.”

    Some of Carrie's boyfriends broke this mold though. Her relationships with financier John “Mr. Big” Preston, played by Chris Noth, and furniture designer Aidan Shaw (John Corbett) lasted far beyond the series, crossing over into the show’s subsequent movies and its spinoff, And Just Like That

    Where Can I Watch Sex and the City? How to Stream the Original Show, Movies and Spinoff

    Fans were particularly excited to see Aidan’s return to Carrie’s life after the shocking death of her fictional husband, Mr. Big.

    Despite their happy reuni

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  • Amin Gulgee

    Amin Gulgee (b. 1965, Karachi) is an artist and independent curator living and working in Karachi. He received a BA in Art History and Economics from Yale University in 1987 and won the Conger B. Goodyear Fine Arts Award for his senior thesis on Moghul gardens. He works primarily in sculpture, installation and performance.

    His solo exhibitions include ‘The Spider Speaketh in Tongues’ South Asia Institute, Chicago, USA (2022); ‘7’ Galleria d’Arte Moderna di Roma Capitale and ‘7.7’ Mattatoio, Rome, Italy (2018); ‘Walking on the Moon’ Wei-Ling Contemporary, Kuala Lumpur, Malaysia (2015); ‘Looking for the Magic Center’ ArtSpace Dubai, UAE (2009); and ‘Amin Gulgee’ Museu da Agua, Lisbon, Portugal (2003).

    His international group shows include ‘Manzar: Art and Architecture from Pakistan 1940s to Today’ National Museum of Qatar, Doha, Qatar (2024); ‘ENTRELACS/INTERLACED’ Cité internationale des Arts, Paris, France (2022); ‘OPEN20’ Venice, Italy (2017); ‘Rites of Passage’ Ostrale’010, Dresden, Germany (2010); ‘Beyond Borders’ National Gallery of Modern Art, Mumbai, India (2005); Beijing Biennial (2003); and ‘Pakistan: Another Vision’ Brunei Gallery, London, UK (2000).

    Amin has worked extensively with performance, both as a practitioner and a curator. Over the past two d