Harry gilliam twitter handle
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Something Completely Different: Terry Gilliam on Brazil
Having always been ‘the other Python’ – the Flying Circus’ unseen American animator Terry Gilliam has recently come to the fore as a film director. His new film, Brazil, is a spectacular and only partly comedic vision of the future.
Interview by Paul Mathur, for Blitz magazine, March 1985
Photograph by Mark Collicott
“HI, I’M ME, who are you?”
The ‘Me’ is a bluff 45 year-old American with five o’clock shadow and a fairly disgusting jumper. He is also a film director responsible for, amongst other things, part of an occasionally anarchic comedy movement, a film about pirates and parents, and, most recently, a film which Steven Spielberg described as his innermost nightmare. The man is Terry Gilliam and the new film, a natural progression from Python, Time Bandits et al, is called Brazil.
In a Covent Garden cutting room Gilliam is putting the finishing touches to quite the most frightening movie you will see this year and desperately praying that I don’t ask him why the film is called Brazil. Fortunately I’ve no intentions of doing so. The film, evoking the same city as 1984 but scuttling down a far more interesting subway, is far too smart
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Short Profile
Name: Terrence Vance Gilliam
DOB: 22 November 1940
Place of Birth: Medicine Lake, Minnesota, USA
Occupation: Director
Mr. Gilliam, you’ve been given the nickname “Captain Chaos” because of all the things that have gone wrong on your film sets. Do you need chaos on set to be creative?
(Laughs) It isn’t really that. I don’t want chaos, I actually want order. I really want it ordered very well and I want to surround myself with really well organized people so that when we’re on the set and an idea comes in we can play with it because we’ve got a really good structure. So it’s not chaos. Between me and the actors, or between me and the director of photography, it’s more like, “Oh, what if we did that? Okay, we can do that.” So the organized people think it’s chaos, but it’s not. I just build a structure that’s really solid so even if the lead actor dies, we can finish the film. (Laughs)
Heath Ledger died in the middle of the shooting of your film The Imaginarium of Doctor Parnassus. Where were you when you got the sad news of his death and did you think you would be able to finish the film?
We had just finished in London. I went to Vancouver and Heath went to New York and two days later he was dead. I am sitting, working in Vancouver and Amy my daughter,
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