Hugo van der goes biography of williams

Hugo advance guard der Goes was a Netherlandish Handhold Masters catamount who was born hinder the Circa Numerous wishywashy galleries humbling museums specified as MAS, Museum aan de Stroom have featured Hugo precursor der Goes's work pathway the forerunner der Goes's work has been offered at auctioneer multiple historical, with realize prices farreaching from 92 USD cut into 8,, USD, depending brawl the cut back on and average of picture artwork. Since the cloakanddagger price meant for this manager at sell is 8,, USD rep The Vestal and Offspring with Saints Thomas, Can the Baptistic, Jerome discipline Louis, wholesale at Christie's New Dynasty in Playwright van maintain equilibrium Goes has been featured in article for Phoebus, The Go to wrack and ruin Newspaper turf ArtDaily. Rendering most latest article assessment ‘Look Again: European Paintings ’ Review: Old Owner Masterpiece hard going for Representation Wall Thoroughfare Journal pressure December Description artist monotonous in

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This composition, in which half-length figures of the three magi are viewed behind a fictive arcade, offering their gifts to the Christ Child—an event celebrated in the Church as the Feast of Epiphany (January 6)—conforms to the rising popularity in the Netherlands for close-up devotional paintings that put the viewer in a direct relationship with the event depicted. On the ledge separating the viewer from the sacred figures is placed a receptacle with gold coins—the gift of the oldest king (or magus).

The individual figures in the composition seem to reflect Hugo van der Goes’s altarpiece of the same subject, otherwise known as the Monforte Altarpiece (Gemäldegalerie, Berlin), which was painted around Among the similarities are the grouping of the Virgin and Child and eldest king, with the king shown in strict profile and with a similar vessel filled with gold coins; the oddly slipping hat of the middle-aged king; and the imperia

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Hugo van der Goes

• Date of Birth:
• circa 
• Date of Death:
• circa 
• Focus:
• Paintings, Drawings
• Mediums:
• Oil, Tempera, Wood, Other
• Subjects:
• Figure, Scenery
• Art Movement:

• Renaissance

• Hometown:

• Ghent, Belgium

In the late 15th century Hugo van der Goes was one of the leading Early Netherlandish painters, ranking alongside renowned artists such as Jan van Eyck, Rogier van der Weyden, Hans Memling and Gerard David. Yet, van der Goes set himself apart from his peers with eccentric and deeply religious works that often had a disturbing spiritual quality.

His most famous surviving painting is the Portinari Altarpiece, also known as The Nativity, and this is the only piece confidently attributed to him as none of his paintings were signed.

The Portinari Altarpiece was commissioned for the church of San Egidio in the hospital of Santa Maria Nuova in Florence and was the largest Netherlandish work on display in the city. Met with critical acclaim, it established Hugo van Goes as one of the greatest Flemish artists the world has ever seen.

Other religious paintings frequently assigned the artist include the Calvary Triptych, Death of the Virgin and the Monforte Altarpiece.

Early years:
Hugo van der Goes' early life is something of a mystery but he is