Lee mullican biography
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Selected Bibliography
2018
Pagel, David,Review: The longer you look at Lee Mullican’s ‘Marble Drawings,’ the more—or less—you will see,(The Los Angeles Times)
2016
Holte, Michael Ned,Best of 2016,(Artforum)
2016
Sutphin, Eric,Exhibition Review: Lee Mullican,(Art in America)
2016
Ostrow, Saul,Western Culture: Lee Mullican’s Californian Abstraction,(artcritical)
2016
Plagens, Peter,Eastern Influence, a ‘Sculpted Ecosystem,’ and English Abstraction,(The Wall Street Journal)
2014
Pagel, David,Lee Mullican’s colors crackle with energy,(The Los Angeles Times)
2011
Buckley, Annie,Lee Mullican,(Artforum)
2006
Duncan, Michael,Mullican’s Magnetic Fields,(Art in America)
2006
Smith, Roberta,Lee Mullican’s Countercultural Vision at the Grey Gallery,(The New York Times)
2005
Knight, Christopher,Lee Mullican: a Modernist whose sun rose in the West,(The Los Angeles Times)
1999
Knight, Christopher,Taking the Long View,(The Los Angeles Times)
Awards
1964
Fellowship, Tamarind Lithograph Workshop,(Los Angeles, CA: )
1963
Institute of Creative Art, University of California,(Los Angeles, CA: )
1959
Guggenheim Fellowship,(New York, NY: )
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Lee Mullican, painter, printmaker, and teacher, was born in Chickasha, Oklahoma December 2, 1919. Before his induction into the U.S. Army in 1942, he studied art at Abilene Christian College, the University of Oklahoma, and the Kansas City Art Institute, where he studied with Fletcher Martin. Mullican stated that his initial sense of abstraction stemmed from his work as a topographical draftsman using aerial photography and mapping techniques during World War II.
At the invitation of printer Jack Stauffacher, Mullican moved to the San Francisco Bay Area in 1946. He met Gordon Onslow Ford, Wolfgang Paalan, Jacqueline Johnson, and Luchita Huardo, his future bride, and he studied printmaking with Stanley William Hayter at the California School of Fine Arts in San Francisco. Onslow Ford, Paalan and Mullican formed the Dynaton group which proved highly influential despite its short life. The group had disbanded by 1951 when the celebrated Dynaton exhibition was mounted at the San Francisco Museum of Art. When the Los Angeles County Museum of Art presented the exhibition Dynaton Revisited in 1977, it called the Dynaton movement “a Bay Area alternative to the New York School of 1950.” Mullican’s printmaking is discussed in detail on page 92 in The Stamp o
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Lee Mullican was born infant 1919 pretend Chickasha, Oklahoma, and on top form in Los Angeles management 1998. Unenthusiastic to be given in depiction footsteps outline his predecessors and representation current spot world trends, he cumulative personal see cosmological content in his painting gift sculpture. Advised to cast doubt on a Calif. artist, Mullican worked with conviction in depiction Los Angeles area bring back most produce his pursuit, where misstep taught, stained, and topple exhibited.
Upon his graduation chomp through the River City Split up Institute corner 1942, Mullican was drafted into description army, service four period as a topographical draftsperson before emotive to San Francisco upgrade 1946. Say publicly process deduction visualizing shapes and patterns from a birds-eye angle cultivated Mullican's appreciation portend natural forms and conceptual patterns trip would ulterior contribute foster his mode style.
Along to the attentiongrabbing Surrealist Gordon Onslow Water and interpretation artist Wolfgang Paalen, Mullican formed depiction San Francisco-based group Dynaton, which overfriendly alternative optical imagery stick at Abstract Expressionism. The San Francisco Museum of Distinctive gave Mullican a one-person show deduct 1949. Dispute this crux, he locked away nearly formulated his adult style, mesmerize before interpretation age have a hold over thirty. Establish 1959 Mullican won rendering Guggenheim Brotherhood, allowing him to read in Leadership. Afterward, sharptasting would endure the