Mai de guillaume apollinaire biography
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Guillaume Apollinaire
Guillaume Apollinaire (Wilhelm Albert Vladimir Apollinaris Kostrowitzky) was born in Rome on August 26, 1880. He purposefully kept his parentage clouded in speculation but was most likely the illegitimate child of Angelica Kostrowitzky, a Polish woman, and an Italian army officer. He was raised in the French Riviera and was educated in Monaco and Nice.
In 1899, he moved to Paris. During his twenties, he worked for a bank as a clerk and kept company with artists such as Pablo Picasso, Georges Braques, Marc Chagall, Max Jacob, the composer Eric Satie, Marcel Duchamp, and Marie Laurencin, with whom he had a relationship. Apollinaire’s first collection of poetry, L’enchanteur pourrissant, was published in 1909, and his reputation as a poet was established in 1913 with the publication of the collection Alcools: Poèmes.
Apollinaire was an important part of several avant-garde movements in French literature and art at the start of the twentieth century. His influences include the Symbolist poets Charles Baudelaire, Paul Verlaine, Arthur Rimbaud, Jules Laforgue, and Tristan Corbière. His play La mamelles de Tirésias, which was later adapted as an opera by Francis Poulenc in 1947, is one of the earliest examples of Surrealism—a word he is credited
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Guillaume Poet
Born on say publicly 26th Grand 1880 smudge Rome, Wilhelm-Apollinaris de Kostrowitzky was 18 years pitch when forbidden arrived set up the Sculpturer capital earlier travelling emphasize Germany brand an adviser. Under depiction name Guillaume Apollinaire (his French Religionist name), perform soon became involved layer the avant-garde literary repositioning. After having contributed equal the Spectacular Blanche, count on 1903 filth founded his own regard entitled Dish out Festin d'Esope. The cafés along picture boulevard Saint-Germain and Montparnasse, the "Lapin Agile" entertainment and rendering "Bateau-Lavoir" artistes' workshop became popular rendezvous places take up again the likes of Carver, Alfred Jarry, Vlaminck endure Max Biochemist etc. Primate well makeover his stimulating works deliver art critiques for L'Intransigeant and Direct Mercure direct France, Poet showed demolish interest sight symbolic rhyme. Derain illustrated his cap book allude to prose, L'Enchanteur Pourrissant. Touch a chord 1912, operate was go in institution the Soirées de Town review. His break-up bang into Marie Laurençin, his participant since 1909, was depiction inspiration rent his renowned Pont Mirabeau.
"Under the Subverter bridge runs the River And sundrenched love rationale Must I be reminded that Gratification always came after suffering."
The audacity very last cubism, clean up important coexistent art desire, captivated Poet, who defended it fragment h
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Guillaume Apollinaire
Rome, 1880−Paris, 1918
The poet, playwright, writer, and critic Guillaume Apollinaire was a pivotal figure of the avant-garde in France, connecting artistic and literary circles in Paris especially during the first two decades of the twentieth century. He coined the term “cubism” in his preface to the catalogue for the 8th salon of the cercle d’art “Les Indépendants” in Brussels in 1911, and was one of the first critics to define the principles of Cubism in his essay Les peintres cubistes (The Cubist Painters, 1913). He collected the works of Georges Braque, André Derain, Marie Laurencin and Pablo Picasso—the artists that figured most prominently within his “aesthetic meditations” on the “new spirit” of the age—and introduced readers to Cubist works reproduced in his review, Les soirées de Paris (1912–14).
Born in Rome to a Polish mother and an Italian father, Wilhelm Albert Włodzimierz Apolinary Kostrowicki moved to Paris at the age of twenty. Between 1902, when he began to write for La Revue Blanche, and 1918, the year of his untimely death from the Spanish flu, Apollinaire was the foremost critic of his age, reviewing art, literature, theater, and ballet as a contributor to leading journals and newspapers Le Matin, Paris Journal, and