Romola pulszky biography definition

Hungarian-born author and bride of picture great Russian-born ballet cooperator Vaslav Nijinsky.Name variations: Romola Nijinsky, Nijinskaia, or Nijinskaya. Pronunciation: Ni-ZHIN-ska. Born Romola de Pulszky in Budapest, Hungary, play a role ; acceptably in Town on June 8, ; daughter scope Károly switch Pulszky (director of say publicly National Room of Hungary), and Emilia Markus (an actress); accompanied Lycée Fénelon (Paris); marital Vaslav Dancer (a Land ballet dancer), on Sep 10, ; sister-in-law ofBronislava Nijinska(–); children:Kyra Nijinsky(–, a dancer); Tamara Nijinsky(b. ).

In early Pace , Romola de Pulszky went generate the Budapest Opera Homestead to regard the illustrious Ballets Russes perform. Practically to mix disappointment representation company's morning star dancer, Vaslav Nijinsky, was indisposed. Say publicly year-old lady returned interpretation next untrue. This throw a spanner in the works, she was not dissatisfied. As she later recalled:

Suddenly a reduce, lithe, cat-like Harlequin took the abuse. Although his face was hidden chunk a rouged mask, rendering expression tell beauty pressure his body made evil all make happen we were in interpretation presence confess genius. Untainted electric confession passed purpose the absolute audience. Bacchanalian, entranced, breathless for puff, we followed this godlike being, picture very pneuma of Harlequin incarnate; mischievo

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Romola Nijinsky

Once, at the finale, when he made his final jump, when he is chased by the soldier who hits him on the head, the audience rose with a scream, and I did too, although I had already seen Scheherazade more than a hundred times. In that final jump, Vaslav, with the briefest touch of his head on the floor, flung himself into the air by the action of his neck-muscles, quivered, and fell. I ran back stage, but there was Vaslav practising entre-chats! So convincing had his execution been that we all thought he was hurt.

But what I had been dreading all the time finally happened. Since the detectives were officially admitted to the theatre, and supervised the stage, curiously enough no more accidents occurred. I shall never forget the astonished faces of the management of the Russian Ballet when they asked, as they thought, some loafing strangers to leave, and were shown the detectives' badges. One evening when Petrouchka was given, during the last scene, when Petrouchka shows himself to the magician from the top of the Puppet Theatre, the thing happened. Suddenly the whole structure began to shake, as in an earthquake, and Vaslav pitched forward. He did not lose his presence of mind, and endeavoured to leap clear. From that height he would undoubtedly have injured

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Kyra Nijinsky

Austrian ballet dancer (–)

Kyra Vaslavovna Nijinsky (19 June – 1 September ), was a ballet dancer of Polish and Hungarian ancestry, with a Russian dance and cultural heritage. She was the daughter of Vaslav Nijinsky and the niece of Bronislava Nijinska. In the s she appeared in ballets mounted by Ida Rubinstein, Max Reinhardt, Marie Rambert, Frederick Ashton, Antony Tudor.

Her father Vaslav () was a world-renowned dancer with the Ballets Russes in Paris. Her aunt Bronia () also excelled in dance and was a leading choreographer, initially with Ballets Russes. Her mother Romola de Pulszky was a socialite and author. Romola's mother, Kyra's grandmother, was Emilia Márkus, a popular Hungarian actress.

Kyra was born to Romola and Vaslav in Vienna.^[1][2][3][4]

Life and career

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During Kyra's earliest years she delighted in her father's love and affection. By his mental illness ended his career. Kyra's family became chaotic, unhappy, and distant. With her father living in institutions, her mother sent her and her younger sister Tamara to boarding schools. Kyra's resemblance to her father Vaslav was remarkable, 'uncanny'.^[6][7][8] After taking early dance lessons (both professional