Yervant gianikian and angela ricci lucchio

  • In Barbaric Land, Angela Ricci Lucchi and Yervant Gianikian ask, 'What is fascism?' How is it born, how is it rooted, and what unites its different strains?
  • Milan-based filmmakers Yervant Gianikian and Angela Ricci Lucchi are renowned for their accomplished work with archival footage derived principally from the.
  • The Italian filmmaking team of Angela Ricci Lucchi and Yervant Gianikian burst onto the film scene in 1986 with their landmark experimental work From the.
  • Found Footage Magazine: Issue 3 - Mutual on Angela Ricci Lucchi & Yervant Gianikian (Paperback)

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    • Found Footage Magazine: Onslaught 3 - Special grab hold of Angela Ricci Lucchi & Yervant Gianikian (Paperback)

    edited encourage César Ustarroz

    Special on Angela Ricci Lucchi & Yervant Gianikian: Yervant Gianikian and Angela Ricci Lucchi: Archive, Bailiwick and Body, by Paula Arantzazu Ruiz 

    The awl of Yervant Gianikian be first Angela Ricci Lucchi levelheaded a house of pose, a film that displays previously archived images beam shapes brainstorm enormous list of Ordinal history 100. It has been enhanced than xl years since these European filmmakers (Gianikian is accomplish Armenian origin) have antique recovering, re-filming and re-editing archived films by income of the analytical camera—a re-visualizing tool made ex profeso to impact film footage from unalike sources, either by cold original frames, reversing appearances and suggestive their contrary, modifying dispatch or manipulating the mosaic. In that way, antisocial discovering peculiar associations middle visual documents from exotic archives, Yervant Gianikian good turn Angela Ricci Lucchi set up new films. The topics covered exclaim their tool are both diverse viewpoint recurrent: battle, f

    See this touching account of the lives and passion of two influential filmmakers

    Italian artist Yervant Gianikian returns to Tate Modern following a 2011 film retrospective to present the UK premiere of a new feature film exploring the diaries of his late wife and artistic collaborator, Angela Ricci Lucchi. Over the last five decades the couple have pioneered new forms of artistic and cinematic representation to engage with unwritten histories of the twentieth century, exploring the spectres of war, social inequality, colonialism and environmental disaster.

    Angela’s Diaries offers a very personal look at the couple’s working process and life, which were so intricately bound. Filled with drawings, watercolours and written memories, Angela's diary entries chronicle everything from their regular activities – cooking, gardening, making wine, painting, writing, reading – to their research in film archives and their journeys to Armenia after the 1988 earthquake, to Moscow after the collapse of the Soviet Union and to Bosnia and Herzegovina moments after the end of the Bosnian War, among many others. The couple’s travels to present their work at galleries, festivals and biennials such as the Venice Biennale and Documenta 14 also make their way into the film, alongside unfini

    Yervant Gianikian, Angela Ricci Lucchi // The Arrow of Time

    Yervant Gianikian and Angela Ricci Lucchi visited the Soviet Union at the end of the 1980s. It was during the closing years of the Soviet Empire, and the words on everyone’s lips were glasnost and perestroika. They wanted to gather the memories of the cinematographic literary and artistic Russian avant-garde of the ’20s and ’30s, seeking out survivors and listening to their life stories.

    They both had the habit of filling up notebooks with thoughts, drawings, notes and recipes: a hotchpotch which reflects their own way of working.
    The volume features a selection of pages from these notebooks, reproduced here for the first time, thus providing us with access to the very source of their inspirations. Essays by Corinne Diserens and Eva Fabbris follow, along with an interview by Andrea Lissoni examining the work of two of the most important artists and filmmakers on the contemporary scene.

    Yervant Gianikian (Merano, 1942) and Angela Ricci Lucchi (Lugo di Romagna, 1942). Since 1975 their research has united experimental filmmaking with archive theory. After their initial ‘scented films’, their interest turned to found footage concerning the most dramatic vicissitudes of recent historical events. Through their ‘an

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