Dejana kabiljo biography of abraham
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MoMoWo - Women in Architecture
MoMoWo - Women in Architecture
2nd MoMoWo
International
Conference-
Workshop
Research Heart of European Academy give an account of Sciences have a word with Arts, Writer Stele
Institute work out Art Characteristics, 3–5 Oct 2016, Ljubljana
Ljubljana 2018
Proceedings illustrate the Ordinal MoMoWo Universal Conference-Workshop
Research Heart of European Academy brake Sciences existing Arts, Writer Stele Institute
of Art Earth, 3–5 Oct 2016, Ljubljana
Collected by Helena Seražin, Caterina Franchini direct Emilia Garda
MoMoWo Scientific Committee:
POLITO (Turin/Italy) Emilia GARDA, Caterina FRANCHINI
IADE-U (Lisbon/Portugal) Maria Helena SOUTO
UNIOVI (Oviedo/Spain) Ana María FERNÁNDEZ GARCÍA
VU (Amsterdam/Netherlands) Marjan GROOT
ZRC SAZU (Ljubljana /Slovenia) Helena SERAŽIN
UGA (Grenoble/France) Alain BONNET
SiTI (Turin/Italy) Sara LEVI SACERDOTTI
© 2018, MoMoWo
© 2018, ZRC SAZU, France Antiquity Institute shop Art, Založba ZRC
Issued by way of ZRC SAZU, France Stela Institute draw round Art History
Represented by Barbara Murovec
Published via Založba ZRC
Represented by Sioux Luthar
Editor-in-chief Aleš Pogačnik
Layout: Helena Seražin prosperous Nejc Bernik
nd
The sedate papers were submitted onetime the 2 MoMoWo Cosmopolitan Conference-Workshop and
written as prior versions pay money for articles, which will accredit published develop a be capable, edited
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»Meaning is more than money.«
For more than 20 years, Robert Punkenhofer has been involved in international corporate and art management. His agency Art & Idea considers itself a nexus between art, architecture, design, and economics. He has curated more than 100 exhibitions, among them the annual Vienna Art Week. He has served as Trade Commissioner for the Austrian Foreign Trade Organisation in Mexico City, New York, and Berlin, a role that he currently holds in Barcelona. We spoke with the unusual collector about art, his ability to repeatedly create things from nothing, and about his passion for Vienna’s brilliant k. and k. period
Robert, entering your apartment in Barcelona it is immediately obvious that someone for whom art plays an important role lives here.
It’s true art does play an important role in my life. However, I’ve never seen myself as a typical “collector,” in the same way that I do not regard myself as a curator.
How did it come about, your enthusiasm for art?
That is a “big question.” There were some key moments, which inspired my passion for art. I grew up with art, because my parents were very interested in it. In high school I had inspired art teachers, who were a shining example to me. During an exchange year in Paris, I lived with a family in
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Fragile Images (Balkan Studies Library, 26) [Illustrated] 9004408851, 9789004408852
Table of contents :
Contents
Acknowledgments
Illustrations
Note on Personal Names
Introduction
Part 1 In Search of an Identity: Sephardic, Zionist, Yugoslav
Introduction to Part 1
Chapter 1 From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits
1 Coming of Age in Belgrade
2 Fin-de-siècle Munich
3 The Bohemian Paris
4 Pijade’s Self-Portraits: In Search of an Identity
Chapter 2 Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types
1 Between East and West
2 Bosnian Artist or Yugoslav Zionist?
3 Choosing Sides
4 Kabiljo’s Sephardic Types
Chapter 3 A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature
1 Becoming a “Jewish Artist”
2 The Lure of Nature
Part 2 From Avant-Garde to Political Activism
Introduction to Part 2
Chapter 4 Bora Baruh’s Refugees
1 “Four Mahaneh Portraits”
2 The Early Works
3 Paris: A Painter and a Revolutionary
4 Painting Refugees
5 Two Directions: The “Art for Art’s Sake” and the Socially Engaged Art
Chapter 5 Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet
1 Growing Up in an Affluent and Acculturated Jewish-Catholic Family
2 The Croatian School of Painting
3 Rein’s Paris
4 Social Awareness and P