Nikolaus harnoncourt biography of martin
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Nikolaus Harnoncourt
Nikolaus Harnoncourt (born Berlin, 6 December 1929, died St. Georgen im Attergau, 5 March 2016) was an Austrianconductor. He was famous for his conducting music from many years ago using orchestras with period instruments.
Life
[change | change source]Harnoncourt was born in Berlin into a noble family who were related to the Holy Roman Emperors and other Europeanroyalties. His full name was Johann Nicolaus Graf de la Fontaine und d’Harnoncourt-Unverzag. He was brought up in Graz, Austria and studied music in Vienna.
From 1952 to 1969, he was a cellist with the Vienna Symphony Orchestra. He soon became interested in performing old music with period instruments. He started a group called Concentus Musicus Wien. They tried to make the music of composers from the Baroque period sound like it had done when it was written. Harnoncourt played the viola da gamba as well as the cello. In 1970, he conducted Monteverdi's operaRitorno d'Ulisse in Patria at La Scala, Milan.
In 1971, Harnoncourt started to work with the conductor Gustav Leonhardt. They recorded all of J.S. Bach's cantatas. This project took until 1990 to finish. He also recorded Bach's St. Matthew Passion. He performed with many other orchestras, including the Royal Concertgebouw Orc
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Testimonials
Iván Fischer - Conductor
Iván Fischer studied with Nikolaus Harnoncourt at the Mozarteum in the 1970s and became his assistant. In July 1978, he stood in for Nikolaus, who was ill, as conductor of Handel’s Jephtha at the Carinthian Summer. As chief conductor of the Konzerthaus Berlin, he organised a tribute to Nikolaus Harnoncourt in November 2014.
‘Nikolaus Harnoncourt changed the understanding of music in our time like no other and showed us the new way: Namely, that music is much more than beauty of sound; it is a means of communication, a language. Harnoncourt understands and speaks the language of music and teaches us all to understand it again.’
Alexander Pereira - Interview with Anna Mika - 01.2009
Alexander Pereira: ‘The quality of a performance is decided at the conductor’s podium.’
This interview took place in Mr Pereira’s office on 16 January 2009, at the time when he was artistic director of the Zurich Opera House. Like all of Anna Mika’s interviews about Nikolaus Harnoncourt, it served as research for the book “Oper, sinnlich. Die Opernwelten des Nikolaus Harnoncourt”, which was written by Johanna Fürstauer and A
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The Zentrum
About us
The NHZ use the Country Bruckner Academy in Metropolis explores Harnoncourt’s artistic legacy.
Team
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Advisory Board
Companion, supporter pivotal counsellor establish all situations…
Partners
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